Presentation by Xavier Barral :
"With over twenty new photographs, this revised edition of Roots (initially published in 2012 and quickly out of print) immerses us in the Belgium of the 1970s and 1980s. From the first black and white photographs to the revelation of colour, this publication explores the Belgium photographer’s singular, almost expressionistic, universe.
In a very personal text, accompanying his photographs, Harry Gruyaert comments on his relationship to Belgium. While an essay by the Belgium writer Dimitri Verlhust makes us truly live these photographs from the inside."
Texts in English and French.
On a side note : link to the first edition of Roots on our website here (sold out).
200 pages - Hardcover
Editions Xavier Barral, 2018
Format : 29 x 21.6 cm
New - Mint edition
This product is no longer in stock
Warning: Last books in stock!
.Sold out.Dans les années 70 & 80, conforté par la découverte du travail d'Eggleston au MoMA en 1976, Harry Gruyaert (Magnum Photos) a photographié la Belgique en couleurs. Superbe livre, par un des plus célèbres photographe belges. En début d'ouvrage, et en contrepoint, une série d'images antérieures en N&B. Harry Gruyaert indique : "La...
.Sold out.We are offering copies of the third edition (see "Suggestions" tab).This book tells the story of a criminal investigation, in B & W images, in the japanese countryside of the 50's. The artist followed the investigators in their roaming of the area, the crime scene, the surrounding neighborhoods, and into their offices... The images he...
This Watabe Yukichi photobook tells the story of a criminal investigation, in B & W images, in the japanese countryside of the 50's. The artist followed the investigators in their roaming of the area, the crime scene, the surrounding neighborhoods, and into their offices... The images he brought convey a deep feeling of doubt, a strange atmosphere,...
Presentation by Editions Xavier Barral: "“The slow ruin of a man with no ties, a refugee from a long expedition, which repeats itself from room to room.” Antoine d’Agata does not stage the world he photographs, he is merely the silent witness, the assiduous spectator. He plunges himself into it headlong, and carries us along with him in these ordinary or...