Presentation by Steidl:
" « In Dr. Blankman's New York, I hope you'll find a persuasive account of what it meant for me to be free with a Leica in the streets of my then newly-adopted home of Manhattan, a record drawn in the saturated colors of Kodachrome film, where even the heavy shadows pouring into the backdrop-avenues of the pictures seem full of depth.
I'd never worked in color before, but, just 25 and starting out, I was soon convinced by photographer-friends that I could pay the rent by landing a bit of magazine work, and that a carousel-tray of color slides would be the best way of convincing editors to take a chance on me. Perhaps unsurprisingly, I responded to my friends' suggestion by photographing the street in much the way I'd been doing in black-and-white, but also — and new for me — I began intuitively making still-life pictures of shop windows and signs, where fruit or Brillo boxes were as likely to turn up as subjects as a political poster pasted over with images of a weeping Vietnamese girl. Clearly not a formula for commercial success.
So, of course, I failed in reaching my immediate goal of making a living through photography, but the journey that the project forced on me — producing pictures in a fresh medium, and, just as crucially, at a time when thoughts of assassination, The Summer of Love, and the war in Vietnam were as present as the weather — has resulted so many years later in a new thing, this book." »
-- Tod Papageorge "
136 pages - Linen hardcover
Format : 27.5 x 30 cm
New - Mint condition
Warning: Last books in stock!
Presentation by Stanley / Barker: " In 1983- 84 Tod Papageorge spent a month each summer on the Acropolis in Athens, producing a body of work that seems lost in time, fusing the ancient with the modern.« I stayed at a nice hotel, the Zafolia, five minutes from the Acropolis, where every surface in my room was marble, and where I did laps in the pool...
.Sold out.Publisher's presentation: "Studio 54 brings together a collection of photographs by renowned photographer, Tod Papageorge, taken in the late 1970s. They are a filled with all the decadency, vibrancy and glamour of New York’s most infamous club. In Papageorge’s own words, «The 66 photographs in this book were made between 1978-80 in Studio 54, a...
Publisher's presentation: "In 2010 more Americans were living below the poverty line than at any time since 1959, when the U.S. Census Bureau began collecting this data. In 2011, Kira Pollack, Director of Photography at Time, commissioned Joakim Eskildsen to photograph this growing crisis affecting nearly 46.2 million Americans. Based on census data,...
Presentation by Steidl: " Autoportrait is the first comprehensive survey of Samuel Fosso's multifaceted oeuvre. Since the mid-1970s, the artist has focused on self-portraiture and performance, envisioning variations of identity in the postcolonial era. From Fosso's early self-portraits in black-andwhite from the 1970s to his recent, continually inventive...
.Back in stock.Presentation by Steidl: Saul Leiter’s early black and white photographs "The distinctive iconography of Saul Leiter's early black and white photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s. While this technique borrowed aspects of the photodocumentary, Leiter's imagery was...