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"For a decade, Ken Schles watched the passing of time from his Lower East Side neighbourhood. His camera fixed the instances of his observations, and these moments became the foundation of his invisible city. Friends and architecture come under the scrutiny of his lens and, when sorted and viewed in the pages of this book, a remarkable achievement of personal vision emerges.
Twenty-five years later, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a world few had entrance to – or means of egress from –, Invisible City stands alongside Brassai’s Paris de Nuit and van der Elsken’s Love On The Left Bank as one of the 20th century’s great depictions of nocturnal bohemian experience. Documenting his life in New York City’s East Village during its heyday in the tumultuous 1980s, Schles captured its look and attitude in delirious and dark verité. Long out of print, this “missing link” in the history of the photographic book is now once again made available. Using scans from the original negatives and Steidl’s five plate technique to bring out nuance and detail never seen before in print, this masterful edition transcends the original, bringing this underground cult classic into the 21st century for a new generation to discover."
This book is a faithful second edition of the original Twelvetrees Press published in 1988; it is listed in "The Photobook: A History volume III" by Martin Parr & Gerry Badger.
80 pages - Hardcover w/ DJ
Format : 17.5 x 23 cm
New - Mint condition
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.Back in stock.Publisher's presentation: "Twenty-five years after the printing of his seminal 1988 book, Invisible City, Ken Schles revisits his archive and fashions a narrative of lost youth: a delirious, peripatetic walk in the evening air of an irretrievable Downtown New York as he saw and experienced it. Night Walk is a substantive and intimate...
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.Back in stock.Presentation by Steidl: Saul Leiter’s early black and white photographs "The distinctive iconography of Saul Leiter’s early black and white photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s. While this technique borrowed aspects of the photodocumentary, Leiter’s imagery was...
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