.Last signed copy.
Presentation by André Frère Editions:
" Contexts often indicate our meanings so clearly that we do not even have to say what we mean in order to be understood. With The Tourist Kourtney Roy once again distinguishes herself as the virtuoso of context creation.
Holidays should be relaxing, but when you are the tourist looking for a husband, the holiday soon becomes hard work. You need to keep your tan topped up, those fingernails flawless and your choice of clothes co-ordinated. You must ensure your body is well-honed and toned, in order to sport designer beachwear, fashioned from faux-snake or faux-alligator or faux-leopard. Faux is not out of place in a world of fakery where flamingos, starfish, dinosaurs and talon-like nails are all far from authentic.
But amidst the imitation, we catch glimpses of reality: real cruise ships, actual beaches, genuine seagulls and an authentic alligator. Thankfully, the tourist wears glitter and spangle, so the scaly hatchling is safe, unlike his ill-fated ancestors, destined for the luxury market.
The Tourist contains all the Roy hallmarks we love and expect: auto-portraiture, a filmic approach, her characteristic colour palette, as well as a tension between the witty and the sinister, the conventional and the unorthodox, the glamour and the sleaze.
And we are not disappointed to find that the boundaries between fantasy and reality are blurred. But what elevates The Tourist is the exceptional crafting of the point where we leave our extensional world and enter her intensional one. Roy creates a visual metaphor for a world we believe we know. Yet, through her clever use of juxtaposition, we realise that it is not the world we think it is. The details are intricately interwoven, such that the scenes are both familiar and alien. The snorkelling mask above a mouth from which a cigarette dangles, the pool boy's mop casually abandoned near a mock temple; fluffy slippers in close proximity to water are never a good idea, neither are high heels on slippery poolsides.
The net effect is that Roy hits the holiday nail on the head. Research shows most people enjoy the anticipation and recollection of a holiday more than the actual experience, which is why the holiday snapshot is so important. It removes the disappointments and creates a rose-tinted memory of pleasures we didn't have.. »
-- Del Barrett, extrait. "
You will be able, depending on your mood, to personalise the cover of your book with 4 possible images included in all copies.
Copies signed by the photographer.
132 pages - Hardcover
André Frère Editions, 2020
Format : 24 x 32 cm
New - Mint condition
Warning: Last books in stock!
Publisher's presentation: "Kourtney Roy (...) is the example of the uninhibited and sincere artist who does not take herself seriously." A rising star in fashion and commercial photography, she was awarded the Carte Blanche PMU in 2013. Model and photographer at the same time: to play, to experiment, to have fun, these words seem to guide the personal...
Presentation by André Frère Editions: "This booklet is the first in a series of twelve that opens up the space for A's journeys, his physical journey through his wanderings, his excesses, his strained progress, his encounters. They will appear over the next five years, at a sustained rhythm. The form, if it can be startling at first, spins the...
Publisher's presentation : "As an extension of the exhibition Anticorps Antoine d’Agata held at Le BAL (January-March 2013), the coordinators of Actes, une présence politique, in collaboration with the photographer, wanted to continue to assert the political dimension – too rarely taken into consideration – the photographic Antoine d’Agata work has, by...
Publisher's presentation : "The images in AiTHŌ were made in 2014 at Villa Don Arcangelo all’Olmo (territorio di Carruba di Riposto), on the slope of the Etna."Texts by Leopoldo Maria Panero & José Águedo Olivares.104 pages - Hardcover André Frère Editions, 2015 (300 copies) *Signed* New - Mit condition