.Currently out of stock. Please inquire.
Presentation by Editions Xavier Barral:
"Sergio Larrain published only four books in his lifetime, and Valparaíso (1991) is the most memorable of them all. This new edition faithfully follows the unpublished layout designed by Larrain, as a response to the book published two years earlier by Hazan.
For the first time, this version presents more than 80 unpublished photographs, taken between 1952 and 1992. In this intimate work, the handwritten notes, letters and drawings help the reader share Larrain’s unique vision of the world. Along with Pablo Neruda’s essay, especially written for Sergio Larrain."
NB: We are offering the French version of this book (available in Spanish as well from the publisher).
212 pages - Hardcover with vertical obi in the back
Editions Xavier Barral, 2016
Format : 16.5 x 23.5 cm
New - Mint condition
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.French / English and Spanish / Portuguese versions back in stock.Presentation by Editions Xavier Barral : "Published in 1963, this book is Sergio Larrain's very first publication, that would soon become a seminal work for Chilean and Latin American photography. Published in the Cadernos Brasileiros series, in collaboration with the poet and cultural...
.Currently out of stock, please contact us if you wish to order. Ouvrage de référence sur le photographe chilien Sergio Larrain (Magnum Photos), qui - bien que n'ayant été actif qu'entre 1949 et 1971 - restera comme l'un des grands maîtres de la photographie de rue et du noir et blanc. L'artiste a été honoré d'une rétrospective aux Rencontres d'Arles 2013...
.Copy sold.Text on the back cover: "Valparaiso était le premier port rencontré par les navires ayant croisé le cap Horn ou le détroit de Magellan. C'était une sorte de station spatiale sur la planète Mars, qu'on atteignait après avoir lutté contre vents et marées, jamais certains d'atteindre la fin du voyage. Neruda habitait une maison dominant le baie....
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Presentation by Editions Xavier Barral: "“The slow ruin of a man with no ties, a refugee from a long expedition, which repeats itself from room to room.” Antoine d’Agata does not stage the world he photographs, he is merely the silent witness, the assiduous spectator. He plunges himself into it headlong, and carries us along with him in these ordinary or...