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978-295419740-1
New
.One SIGNED copy available.
Position(s) is a retrospective and introspective essay on the work of French photographer Antoine d'Agata (Magnum Photos) known for images that are often raw or crude, sometimes pornographic or violent, but always captivating. One way or another these images always provoke strong reactions from the public.
PLEASE NOTE :
- This copy is "new" as it has been in L'Ascenseur Végétal's stock since the riginal purchase from the publisher, and it is overall in excellent condition, including the poster and the glassine sleeve where it is inserted.
- However, this copy was "rediscovered" in one of our boxes, it has been used to show the content to customers at the bookstore (but never used as a proper "display" copy put on a table for free browsing)
- The copy displays minor rubbing to the cover edges
- MOST IMPORTANTLY, there is a scratch at the top of the spine, and a white patch of 2 mm x 3 mm appears as the black top layer of the printed cover has been peeled off.
This copy is SIGNED by Antoine d'Agata and dated 2012 (year of release).
124 pages - Softcover
Avarie, 2012
*Signed*
New - Imperfect (see above)
Warning: Last books in stock!
From the Press Kit :
"This project, conceived and executed by Giuliana Prucca with the photographer’s approval and close collaboration, seeks to depict Antoine d’Agata’s quest – “the inexorable course from void to void”.
With thoughtful stylistic choices, accurate studies on contents and a particular attention to the quality of subjects and materials, Giuliana Prucca introduces her activity as indipendent publisher specialised in international art and photo books. (...)
The book is composed as a montage of texts and pictures, where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. It combines the most concrete and significant examples of Antoine d’Agata’s activity with his more abstract body of thought following a process of inclusion which is already apparent in the photographer’s approach to life and art and which often translates into serial images and sequences “with neither beginning nor ending” and into a series of references, echoes and word repetitions.
The book’s graphic form seeks to reflect the meaning of d’Agata’s research which paradoxically leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its subject and a perfect amalgamation of art and life. It thereby places photography in the context of anonymity which is that of universal expression."
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