I do not want to disappear silently into the night

@ De Blauwer, Katrien

978-2954197418

New

.Sold out.

Publisher's presentation:

"Through KDB's <collages> and their <short circuit> effect in our ways of seeing, the book intends to explore and deepen the concept of <void> and its <visibility>, proposing a work that's situated at the border of different artistic disciplines, from <photography> to <cinema> to <performance> and to <painting>.

<Photographer without a camera>, KDB collects and re-uses pictures and supports from old magazines and papers, engaging them in a vision that occurs directly in the <hand>, becoming thereby more physical and tactile. KDB gives new meaning and life to what is <residual>, saving the images from destruction and including them in a new narration that combines <intimacy> and <anonymity>. Hers is therefore a work about <memory>, although never by a process of accumulation but by way of <substraction>.

The images are deprived of something that disappears from view but remains perceptible and refers to a kind of entirety. The collage itself is a signal that's <present and resistant>, the <form of an emptiness> that is hence never <absence>.

KDB's work calls to mind the techniques of <photomontage> or <film editing>, using the <cut> as <border> or <frame> that determines what is visible and <essential>. Keeping in mind the collages' highly <cinematographic> content, the book takes therefore inspiration from <Michelangelo Antonioni>'s filmic sensitivity, along with a few suggestions from the arts, that share his <pure, geometric and linear vision>.

Like the Italian director, whose «interest - according to John Berger - is always <beside> the event shown», Avarie has been trying to focus its attention on the <unseen> elements of the collages, such as the cut-out photographs and words from KDB's notebooks or the reverse side of the support papers. In particular, the <off-screen> position of the texts in the book allows to frame the collages <in-between>: the void actually specifies itself as an <interstice>.

KDB's <text-fragments> - <sharp, precise and evocative> as <scripts> - interact with Antonioni's writing which inhabits the book's interstitial spaces: the extracts here inserted derive from what he himself defined as <films I wrote>, series of <unfinished stories> he never found the chance to shoot. Texts therefore, that belong not less to the order of <visualizations of the absent> as they render perfectly perceivable an image that doesn't exist."

Photos of the book : © Pino Musi for Avarie

178 pages - Softcover

Avarie Publishing, 2014

New - Mint condition

De Blauwer, Katrien

Katrien De Blauwer is a Belgian artist creating mostly collage works from images she cuts out and assembles, usually in a book or notebook form. She calls herself a « photographer without a camera ». © Portrait taken from the artist's website
  • .Sold out. Presentation by Libraryman: "Page after page they undress. Their legs laying down gracefully on a bed, resting for eternity—so it seems. Others are standing up, can you feel the warmth coming out of their skin? It seems they are dancing together from scene to scene. Inviting you to join them. Their naked bodies find refuge between the paint...

  • .Last copies. Presentation by Libraryman:  " The idea for I Close My Eyes, Then I Drift Away by Katrien De Blauwer was founded as a commission for De Blauwer to anatomise archival works of French photographer François Halard into a new and rare narrative. With a seductive and dreamlike state, bordering femininity and masculinity, she lets the observer...

    60,00 €
    Add to cart
    Out of stock
  • .This book is sold out by the publisher. Presentation by Editions Textuel & Rencontres d'Arles: " « A photographer without a camera » revealed to the general public during the 2022 Rencontres d'Arles festival. Whatever you do, don't tell Katrien de Blauwer that she makes collages: « Let's say I'm a photographer without a camera. For me, cutting is...

    60,00 €
    Add to cart
    Out of stock
  • .Last copy.352 pages - Softcover AVARIE Publishing, 2016 Format : 16 x 30 cm New - Mint conditionPublisher's presentation (excerpt) : "From static oblivion aims to deepen, starting from Ion Grigorescu's rich production, the reflection about the status of the image as a balance of forces in tension, as form of what is in continuous movement and as a...

    43,00 €
    In Stock
  • Quick view d'Agata, Antoine
    35,00 € Out of stock

    Position(s) is a retrospective and introspective essay on the work of French photographer Antoine d'Agata (Magnum Photos) known for images that are often raw or crude, sometimes pornographic or violent, but always captivating. One way or another these images always provoke strong reactions from the public.124 pages - Softcover Avarie, 2012 New - Mint...

    35,00 €
    Add to cart
    Out of stock