Who is this photographer? A short explanation.
The name of this virtual photographer has been generated - wink-wink - from the first name of the author of the oldest photograph to have reached our times, Nicéphore Niépce, and the last name of the creator of the first book to ever use photography, Anna Atkins (book "British Algae").
The process of adding books to our website can be time demanding as we need to create a page for each photographer and a page for each publisher (in both French and English) before creating the new book, and connecting it to its author and publisher. Consequently, it can happen, in super busy times, that we will create a new book and use "Nicéphore Atkins" as the photographer attached to this book.
Of course, this is not out of lack of respect for the artists, and we ask for your forgiveness, for THEIR forgiveness, that we are sometimes taking this easy route. We will limit the use of this pseudonym as much as possible, and we will try to create the missing pages as quickly as possible, in order to re-attribute the books to their righteous creators.
Thank you for your understanding.
© Portrait of artist Stromae by Benjamin Brolet during the shooting of a video for the album "Racine carrée".
Presentation by Filigranes: [translation L'Ascenseur Végétal] " Filigranes release the first publication by Marilia Destot, La promesse [The promise], a set of 3 photographic booklets, grouped together in a slipcase. For each booklet, the photographer invites an author to a dialogue with her images, leaving them a carte blanche. Dominique A,...
Portraits and Dreams (*1st printing*)
Presentation by Mack: " When Wendy Ewald arrived in the heart of the Appalachian Mountains in 1975, she began a project that aimed to reveal the lives, intimate dreams and fears of local schoolchildren. Tasked with finding authentic ways of representing the lives of these children, she gave each of them a camera and interviewed them about their childhood...
Presentation by VOID: " Half Light is made out of open-hearted meetings between Loïc and the people he relates to in his real life. There's no artist pretension. Nor any voyeuristic need of representing people from out of their universe. His photograph is genuine, direct, simple. No gimmicks. The way Seguin unveils people from Belleville and Place des...