160 pages - Hardcover
Cabeza de Chorlito, 2017
Format : 26 x 20 cm
New - Mint condition
"We show the images that Anders highlighted and marked on the contact proof sheets, of the period, with signs, signals and colours. They have lost that original intention of prominance and of status, their Morse code, their meaning, but they have gained the gesture. The footprint. The pride of ingenuity. Their power. Graphic and plastic.
It tricks us as soon as we come through the door. It hypnotizes us. The atmosphere is supreme. Anders takes possession of the air. He submerges us in life. Gaze and throbbing of the anthropologist, of the naturalist. He does not judge. Nor does he add pretentiousness nor artifice to his gaze. The night and its journey. Like that of Céline, with the difference that in Anders’s eyes there is no room for that pessimism. He is more clement. He is not a cynic.
He wants them, he is an accomplice. He toasts and dances with them. He drags us to follow them. We end up getting to know them. His photography fuels them to exist. He loves those who never show themselves. The invisible ones. We see Scar, a shirtless sword swallower in the difficult situation of getting himself into a mess. In the background, a jukebok and music. Vices of love. Voices come to us. Ramona gives and seduces; Gretel asks… Tenderness pushes. Understanding. The equals share night and temple. They are penitent. Those of scourge and of joy. Solitude and failure. Sublimity…
« Café Lehmitz is a generous work of shared humanity. An unforgettable work. Tear-jerking. I am a witness. »
-- Alberto García-Alix "
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This book is available in French-text only.Quatrième de couverture :"Ce n’est pas un entretien ; à bâtons rompus, c’est un échange, une longue discussion sur la photographie, sur la vie, les valeurs, les influences.L’essentiel dans le cas d’Anders Petersen est de restituer sa parole, avec ses hésitations, ses magnifiques doutes, ses convictions, son...
Présentation de l'éditeur : "Ces photographies, anciennes ou récentes, ont été réalisées en Europe et au Japon. Mais le temps et le lieu, en l'occurrence, importent peu. Il s'agit essentiellement de rencontres ramassées en elles-mêmes, qui ne contiennent aucune information, ne désignent aucun contexte. Le caractère poétique, si on veut risquer ce...
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