Presentation by Mack:
"Bertien van Manen’s blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees.
It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct ‘70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll.
The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism?
Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work.
“One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in ‘a Hundred Summers a Hundred Winters’ or in ‘East Wind West Wind’ have taken shape in a more outspoken way”. --Hripsimé Visser"
112 pages - Hardcover w/ DJ
25 color & 89 b&w plates
New - Mint condition
Warning: Last books in stock!
Publisher's presentation : "In this new body of work, Beyond Maps and Atlases, Bertien van Manen turns to Ireland. Van Manen says, « At first, working in Ireland I wasn’t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning...
.Copy sold. Publisher's presentation: "I have to like the people I photograph. I need to feel an attraction, a fascination." -- Bertien van Manen "Buried deep in Bertien van Manen's images is an intimacy between photographer and subject. The viewer trespasses on the private moments in the frame, catching a glare over breakfast, unheard words between...
Publisher's presentation: "Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children...
Presentation by Mack: " 12 Hz—the lowest sound threshold of human hearing—suggests imperceptible forces, from plate tectonics to the ocean tides, from cycles of growth and decay in the forest, to the incomprehensibility of geological spans of time. The photographs in Ron Jude's 12 Hz allude to the ungraspable scale and veiled mechanics of these phenomena,...
Publisher's presentation : "Collier Schorr’s latest book 8 Women presents work which spans from the mid-nineties to the present. Schorr’s earliest works utilised appropriated adverts from fashion magazines to address issues of authorship and desire; the works introduced a female gaze into the debate about female representation. Appropriation was Schorr’s...
Presentation by Mack: " A1 - The Great North Road was Paul Graham's first book, published in 1983 [self-published via Grey Editions]. Despite the UK having a vibrant photographic scene at the time, there were only handful of monographic books - Chris Killip and Martin Parr had one each - and no dedicated publishers or distributors. Graham had to...