Presentation by Editions Xavier Barral:
"With the obsessive use of an office photocopier and the skilful appropriation of everyday objects, Dominique Teufen takes us on an extraordinary journey across the world. In this first monograph, her unknown, yet familiar landscapes, challenge our senses at every step of the way, amaze us and nourish our imagination.
Photography is not used to render a precise reality but to dupe us and question our certitudes. The use of familiar references convoke reality and misleads us ingeniously. By looking closely at these reconstructed worlds, reality becomes an illusion – and inversely. Some landscapes are so realistic that we can’t believe that we have been misled; these elaborate images challenge our perception of reality and appearance.
The narrative and imaginary aspect questioning the pure vision of documentary photography is still very much in question today, and this theme is handled by Dominique Teufen with a poetic yet simple aesthetic, in a both accurate and effective way. "
This book was published as part of the award « Prix HSBC pour la Photographie 2019 », that Teufen won jointly with Nuno Andrade for his series Ginjal. Copies signed by the artist.
108 pages - Linen hardcover
Editions Xavier Barral, 2019
Format : 19 x 24 cm
New - Mint condition
Warning: Last books in stock!
.Sold out.We are offering copies of the third edition (see "Suggestions" tab).This book tells the story of a criminal investigation, in B & W images, in the japanese countryside of the 50's. The artist followed the investigators in their roaming of the area, the crime scene, the surrounding neighborhoods, and into their offices... The images he...
This Watabe Yukichi photobook tells the story of a criminal investigation, in B & W images, in the japanese countryside of the 50's. The artist followed the investigators in their roaming of the area, the crime scene, the surrounding neighborhoods, and into their offices... The images he brought convey a deep feeling of doubt, a strange atmosphere,...
Presentation by Editions Xavier Barral: "“The slow ruin of a man with no ties, a refugee from a long expedition, which repeats itself from room to room.” Antoine d’Agata does not stage the world he photographs, he is merely the silent witness, the assiduous spectator. He plunges himself into it headlong, and carries us along with him in these ordinary or...