.PLEASE NOTE : This book is temporarily out of stock, you can pre-order your copy, available mid-May.
"For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter."
Leporello binding (accordion-fold).
We are offering the second edition of this book (which is actually simply a second printing, with identical content).
.PLEASE NOTE : This book is temporarily out of stock, you can pre-order your copy, available mid-April.
106 pages - Hardcover
New - Mint condition
This product is no longer in stock
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Publisher's presentation: "In the early 1990s various trips took Jungjin Lee into the endless expanse of America, where she captured archaic, primal images of deserts, rocks, undergrowth, and cactuses. Drawing on her South Korean heritage, the artist developed a highly unique pictorial language in series such as Ocean, On Road, Pagodas, Things, and Wind,...
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