Présentation de l'éditeur :
"In the early 1990s various trips took Jungjin Lee into the endless expanse of America, where she captured archaic, primal images of deserts, rocks, undergrowth, and cactuses.
Drawing on her South Korean heritage, the artist developed a highly unique pictorial language in series such as Ocean, On Road, Pagodas, Things, and Wind, in which her fundamental interest in nature and culture is expressed in a space of poetic resonance. In her work, Jungjin Lee taps her profound understanding for materiality, texture, and craftsmanship. Working with Liquid Light, she applies photosensitive emulsion onto rice paper with a coarse brush.
The publication presents eleven groups of works, commentated and contextualized in essays by Lena Fritsch, Hester Keijser, and Liz Wells, providing, for the very first time, an overview of an oeuvre spanning two decades.
Jungjin Lee: Echo was published on the occasion of an exhibition at Fotomuseum Winterthur from September 17, 2016 till January 29, 2017."
Le livre comprend huit pages dépliantes.
124 pages - Couverture rigide
Spector Books, 2016
Format : 22 x 30.5 cm
Neuf - Aucun défaut
Ce produit n'est plus en stock
Attention : derniers livres disponibles !
Date de disponibilité:
.ATTENTION : Ce livre est temporairement indisponible, vous pouvez le pré-commander pour une disponibilité mi-mai.Présentation de l'éditeur : "For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road...
Présentation de Spector Books : "Since the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state-sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran-Iraq War of 1980–88), which is part of the founding myth of the...
Présentation de l'éditeur : "Passengers is the result of an observation Dagmar Keller and Martin Wittwer made at night at a bus station while travelling through Poland. For a moment, the passengers on an old bus, obscured behind stained, ice-covered windows, in the pale light of the bus station had the appearance of figures in a painting. Travellers,...
.À nouveau disponible.Présentation de l'éditeur : "People behind the windows of public buses — at the end of a working day in the centre of Paris, they wait for the bus to bring them back to the banlieue. They seem introspective, engrossed in thought, their gaze directed towards an inner landscape. The camera’s view of the subjects it portrays is...