Entre la fin de l'automne 2010 et les premiers signes du printemps 2011, le long des berges de la rivière Exe dans le Devon, Jem Southam choisit les endroits et prend des photographies, revenant à intervalles réguliers. Cet exercice dura 5 mois, pendant lesquels Southam documenta les changements subtils dans le paysage. Fin janvier 2011, il réalisa qu'une série prenait forme, et relatait sur fillm le passage d'un seul hiver sur cette partie de la Terre.
Accompagné d'un texte en anglais de Richard Hamblyn.
96 pages - Relié sans jaquette
40 reproductions en couleurs
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Présentation de l'éditeur :
“Winters, like ice ages, are Janus faced, for after the freeze comes thaw and flood, as water is returned to life and movement. Freeze, thaw, flood: the great climatic cycles that created the topography of the northern hemisphere, and which continue to shape the idea of winter that lies deep in our cultural imagination.”
-- Richard Hamblyn
In November 2010, after a photographic lull of half a year, Jem Southam took a photograph which became the first in this series, The River Winter and which spurred him to make one of the most concentrated bodies of work in his career. From late autumn through to the earliest signs of spring, along the banks of the river Exe in Devon, Southam chose locations and took photographs, returning at regular intervals. This pattern continued for the next five months with Southam documenting the subtle agencies of change transforming the landscape. By the end of January 2011 he realized this had become a new work, one that caught the effects of the Earth’s turn on film, one which followed the passage of a single winter.
The shift in seasons is presented through a sequence of ten by eight colour contact prints, with which an essay by Richard Hamblyn explores how, since the last ice-age, winter has embedded itself into our cultural psyche.
Jem Southam (b. 1950) is a key figure in British landscape photography, working across twenty-five years. His work is included in many important collections including Rijksmuseum, Museum Folkwang, and the Yale Centre for British Art. He has been the subject of numerous solo shows including Tate St. Ives in 2004 and The Victoria & Albert Museum in 2006.
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