"Luigi Ghirri (1943–1992) started writing about photography from the moment he became a photographer: for his own publications, for Italian magazines and newspapers, as well as private reflections committed to paper, where his thoughts would settle and then often depart in new directions.
Published for the first time in English, The Complete Essays 1973–1991 comprises sixty-eight texts in which Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place.
As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike.
As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry.
Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography."
The book includes 50 color plates.
240 pages - Softcover
Format : 14 x 22.8 cm
New - Mint condition
Warning: Last books in stock!
Seconde édition, parue en 2012 chez Mack. L'édition originale de 1978 (Contrejour en France, Punto e Virgola en Italie) figure dans Le Livre de Photographies : Une Histoire (Vol. 1, p. 231), mais cet ouvrage a été fort peu commenté à sa sortie. A posteriori, Martin Parr et Gerry Badger attribuent à Luigi Ghirri - au travers de Kodachrome - une influence...